funny people

The 21st Best Movie I’ve Seen This Year

#21 Funny People

 I almost don’t want to comment on this movie because, since I saw this movie in theaters, I’ve been trying to remove it from my memory entirely.

Now, this movie is not that bad. But it’s not good, and it’s frustratingly not good, as what seems to be a good premise is combined with standout performances from both Adam Sandler and Seth Rogen into a movie that is somehow completely lousy at accomplishing any of the goals it sets out for itself.

I’ve been as stalwart a supporter of Judd Apatow as there’s been in the past few years, for several reasons:

A. His good movies – both movies he’s produced (Anchorman, Superbad) and directed (40 Year Old Virgin, Knocked Up) are hilarious and incredibly rewatchable. If you were to list the Ten Best Comedies of the Last Ten Years, that list would include at least four Judd Apatow movies. In fact, let’s make that list (Apatow movies are marked with a *):

 

Best Comedies of the 2000s

  1.  Anchorman*
  2. Old School
  3. Shaun Of The Dead
  4. The 40 Year Old Virgin*
  5. Wedding Crashers
  6. Borat
  7. Napoleon Dynamite
  8. Superbad*
  9. Meet The Parents
  10. Talledega Nights*

I’m sure everyone’s got favorites in there, as well as ones that they hated and feel shouldn’t be on the list, but just below these movies would go:

   11.   Zoolander
   12.   The Hangover
   13.   Team America: World Police  
   14.   Tropic Thunder
   15.   School Of Rock
   16.   Knocked Up*
   17.   Dodgeball
   18.   Step Brothers*
   19.   Road Trip
   20.   Van Wilder

All good comedies, but all clearly a slightly lower tier than the aforementioned movies.  Either way, Apatow was involved in six of these 20 movies as either a director, writer, producer, or all three, and so he’s earned our good graces. I’m inclined to give him a pass.

B. Funny People was a failure of trying too hard, which is the sort of failure I appreciate. I hate sloppy filmmaking. I hate half-efforts, and poorly executed jokes. I hate seeing movies where the actors didn’t quite nail the bit, but the director moved on anyway. This movie was none of those things – everyone was clearly giving it their all, it just didn’t work out.

The problems with Funny People relate more to narrative momentum than anything else. No one in this movie is particularly likable – most noticeably Seth Rogen’s character, who really needs to be – and without anyone to root for, the whole movie just sits there, limply. There’s no interplay between a cold, closed-off Sandler and a warm, awkward Rogen, because the film makes them feel like they’re sort of the same person in different situations, which totally destroys the whole point of the movie. More damningly, Apatow forgets a key element of storytelling – he never creates a protagonist. Rogen and Sandler sort of share the protagonist’s load, each of them doing just enough to make you think the movie might be about them, and not quite enough where you don’t know which one you’re supposed to identify with.

People have knocked the film’s third act as the point where the movie derails. But the truth is that movie hadn’t actually built up enough speed to derail – it just chugs along, vaguely keeping our attention. The little engine that couldn’t. </train metaphor>

The problem is plot structure more than anything: Sandler’s efforts to win back his ex-girlfriend come too late in the story – almost two hours (!) into the movie. No one’s willing to start caring about a love story at that point in a film.

 This pains me to say, but in a more capable director’s hands, this could have been a much better movie. But Apatow invested too much of himself in the movie – his wife plays the love interest, his kids play the children, his ex-roommate (Sandler) is the protagonist (maybe), and it’s loaded with videocassette footage that Apatow himself had shot – of Sandler back in the day, of his child’s performance of CATS, etc. He can’t see the difference between what’s actually moving and what’s merely moving to him.

 If there’s a good way to fail, it’s this way: trying to go deeper, trying to make a comedy that’s more emotionally compelling than your average boner joke fare (though, wow, there are a lot of boner jokes in this movie). And that’s why I’m trying to pretend it never happened. Apatow’s earned the right to have us dwell on his successes rather than failures.

 

For now.

Movie Fun

A couple different fun links for you today. First, I don't know if I posted this before, but someone linked me to IFC's 50 Greatest Trailers Of All Time a couple weeks after the first time it got sent my way, and I was surprised to discover that I just couldn't help but poke back through it again. If I keep getting linked back, I'm sure eventually I'll watch all fifty. My personal favorites were the ones that didn't show any of the actual films, just short scenes of people talking about the movies, like #6, Orson Welles' booming voiceover introducing Citizen Kane ("These are the chorus girls. Of course, we're just showing you the chorus girls for purposes of... ballyhoo. Still, it's pretty nice ballyhoo."), or #2, Alfred Hitchcock giving you a tour of the set of Psycho, trying unsuccessfully to appear perturbed by the concept of mayhem and vicious murders. While at the site, I also enjoyed their History of Unreliable Narrators.

Second, Total Sci-Fi Online made one of those lists that you know you're going to get pummeled for but at some point a site like that has to make anyway: a list of the 100 Greatest Sci-Fi Movies. I liked the list and couldn't find much wrong with it, though I've never been able to summon much love for their top movie, Blade Runner, no matter how hard I try. The list takes into account both the best of the the cheap, mass-produced alien/monster movies from the '50s without ignoring the fact that best films of the genre were made in the '70s and '80s. For the record, a more challenging enterprise would be to try to make a list like this without ever using the word "dystopian."

And finally, Screen Junkies wonders what it would be like if movie posters put quotes up from their negative reviews instead of their positive ones.

Now THAT'S How You Do It.

I've gotten awfully tired of mediocre online promotions - The Dark Knight's was particularly spotty, as I recall, with both a clever "I Believe In Harvey Dent" poster campaign and a series of lousy YouTube videos - and that's why I'm excited about "Yo Teach!"

"Yo Teach!" is the fake and deliberately terrible sitcom promoting Judd Apatow's new comedy Funny People, a riff on the "Welcome Back Kotter" teacher-who-cares three-camera show, but if you stumbled over it (and lacked any knowledge of current pop culture) you wouldn't know it's fake. It's hosted on NBC.com, it has a real listed start time (Sept. 27th) and ad campaign "School's Back In Session This September!" Plus it stars Jason Schwartzman as "Mark Taylor Jackson," a completely unaware falling star.

There's both a clip and an EPK available. Watch the EPK first. In fact, I'll embed it.


My favorite bit is Jason Schwartzman's "hard to argue with that!" delivery in "Student Body." Is it just me, or does this look like it could honestly be a real comedy pilot on Fox five years ago?