in the name of the king

Live Blog - In The Name of The King: A Dungeon Siege Tale

Someone recently released a petition urging Uwe Boll to give up directing movies forever. Boll said that if a million people sign it, he'd do so. The petition is currently at 287,000 signatures. Boll responded by pointing out "I'm the only genius in the whole fucking business," and asked his fans to launch a petition in support of him.

So there's now also one supporting Boll, currently at 5,000 signatures, that says they'd like him to continue making movies, just so they can laugh at them.

Boll has also said he'll box anyone who signs the first petition, just to teach them a lesson about how great he is. After all, Boll points out, "I'm way better than all that social-critic, George Clooney bullshit what you get every fucking weekend." Truly, one of the great minds of our generation. Boll has also compared himself positively to both Michael Bay and Eli Roth, and for once in my life, let me come to Bay and Roth's defense - there is no frickin' way Uwe Boll is better than either of those directors. And it hurts me deeply to say that.

Still, Boll has offered us a challenge, saying "if you really look at my movies you will see my real genius, you know?" So let's do that. Let's take a journey into the mind of Uwe Boll, and see if we find anything. Anything at all.

(For the record, while you're reading - if you do read this rather than gasping at the length and clicking away - the predictions I make along the way about who dies where and how - I didn't go back and change those. I really am that good. Or Boll really is that bad. Either way.)

-PLAY-

0:00
Uwe Boll’s name comes up.

0:03
Uwe Boll’s name comes up again.

1:30
Ray Liotta is in bed with Leelee Sobrieski, spouting truly terrible dialogue. He leans in and kisses her, and a bad special effect shows him sucking out her magic with his mouth. We aren’t even two minutes into the film and it’s already apparent that the filmmaker has no idea what he’s doing. I turn on subtitles so as not to miss a word.

5:00
Statham turns down a chance to join the army while sitting at the dinner table with his family. Everyone is conveniently sitting on one side of the table, like in a sitcom. Boll seems to follow the filmmaker’s rules about axis of action with the slavish devotion and simple mindedness of a first year television student. There’s a square-headed actor who seems vaguely familiar but I can’t place. I make a mental note to later to Google “block-headed actors.”

7:00
Statham and his little kid have a moment.

Statham: “When men build lives from honest toil.”
Cute Kid: “Courage never fails.”
It’s about time to check out and see if Uwe Boll wrote the script himself or not.

8:00
A quick IMDB search proves that In The Name of the King is actually written by three people, who between them have a total of one movie writing credit – a horror film from 1989 (!) called The Carpenter, whose plotline is “a carpenter, executed in the electric chair, comes back to finish his dream house, now inhabited by a young married couple.”

The Tagline: “He's Turning Their Dream House Into A Nightmare!”

The dialogue continues to live up to the writers’ remarkable resume.

Statham: “Be safe”
Claire Forlani: “It’s Stonebridge. Of course we’ll be safe”

Dun dun dum! The orchestra moves into the Foreshadowing Movement.

Countdown to family getting attacked – 7 minutes.
Odds of kid dying – two to one.
Odds of wife getting kidnapped – even money.

11:45
You know how in those NFL pregame shows, someone makes a smart-aleck comment and everyone overlaughs for 15 seconds? That’s how every group conversation in this movie goes. I think it’s to show how much these characters care for each other, but it mostly just makes me want to throttle them.

12:00
Statham is attacked by what appears to be a cross between a dung beetle and Ninja Turtle, yet is also clearly a man in a leather costume. It’s like their costuming department is taking castoffs with “Doctor Who.”

13:00
First really bad special effects shot following a thrown weapon until it hits its target. Prediction of times that will happen in the movie: 6.

13:30
Statham runs INTO a burning barn to fight more Dung Turtles, which are apparently called Krugs. I don’t know why people are so concerned about these things since they light a barn on fire and then fight inside it.

15:00
We see our first shot of the Krugs attacking the town where Forlani and the cute kid are. Right on schedule.

16:00 Matthew Lilliard swaggers into a scene, drunk and whiny. It’s difficult to tell if this was a career choice or a bad morning for him. He seems to be holding his “Billy, you stabbed me too deep!” face from Scream throughout this whole movie.

19:20
Midway through our third poorly-choreographed action scene, we realize that the Dung Turtles are all being controlled by Liotta through his powerful sorcery. Liotta is wearing a sequined ascot to mark the occasion.

19:40
Statham kills a Dung Turtle, causing Liotta physical pain. Liotta chooses this as a moment to break the fourth wall as he speaks vaguely in the direction of the camera to say “Well done. A man with spirit, huh?” The last shreds of Goodfellas respectability vanish before my eyes.

21:45 The cute kid is running in slow motion through the battlefield away from the Dung Turtles. Odds of kid dying in the next two minutes are now at even money.

22:00 The Dung Turtles start retreating. We see shot after shot of Dung Turtles streaming up the hillside.

22:56
Someone suddenly yells “Look! They’re retreating!”

23:30
Kid dies, offscreen. Because killing him onscreen would just make this film tacky. Now paying off even money on Cute Kid dying.

28:00
Statham and a Random Buff Dude Who Will Die In 45 minutes have their “I will avenge the dead and find my wife"/"I’m coming with you” conversation, followed by Statham and Blockhead having their “I’m coming with you"/"Stay here, old man” conversation. The scene ends with this exchange:
Statham: “Do you have a horse?”
Buff Dude: “A mare. She’s old, but still strong.”
Blockhead: “Old.” He pounds himself on the chest “But still strong.” Exit left.

I keep thinking I will find funny things to say about each piece of dialogue, but instead I just end up typing it up and saying "y'know, I think the exchange pretty much speaks for itself."

29:30
Gimli and Statham have their “you can help the King"/"I don’t owe the King anything” scene, which finishes with this exchange.
Gimli: “Does it occur to you, Farmer, that there may be events of greater importance than the loves and losses of our particular lives?”
Statham: “No, it doesn’t occur to me.” Exit right.

I'm still dumbfounded.

31:00
Statham, Blockhead, and Buff Dude slide across a rope spanning a massive canyon, which Boll wisely chooses to play as a slapstick moment so that we grow to love and root for these characters. It finishes with Blockhead and Buff Dude falling 200 feet into a boulder strewn river, where they suffer no injuries.

33:00
Lilliard starts groveling. Impossibly, he suddenly becomes even less attractive. A friend of mine met Lilliard once and told me that he’s boorish and arrogant in real life, as of course the second lead in Without A Paddle should be.

35:23
Ray Liotta magicks himself into Sobrieski’s bedroom
Sobrieski: “Gallian! Must you always appear so suddenly from nowhere?”
Liotta: “I don’t. I appear so suddenly… from somewhere.”

Ha ha! Banter!

37:00
Lilliard appears again, drunk, effeminate, and groveling. My stomach’s turning, I’m going for a Coke.

39:00
I return from the kitchen to see Lilliad drunk, effeminate, groveling, and now additionally eating messy food with his bare hands, all at the same time. I put my head between my knees to try to get some blood to rush back into my head.

40:00
One solid minute of exposition about how the forest Statham, Blockhead, and Buff Dude are in is haunted and dangerous.

41:00
The three are captured and hung upside down by magical vines, like the Ewok trap in Star Wars, except, y’know, magic. Enter Kristinna Loken and the People of the Woods, who seem mostly to be extremely made-up females wearing outfits that accentuate their cleavage. It’s like the opening to a porn version of Robin Hood.

42:00
Bad SFX shot following a thrown weapon #2.

44:00
Lilliard is now sweating, openly weeping, and groveling. Liotta tells him “don’t be so melodramatic,” the first line from this movie that I would not have cut.

45:00
Whenever something magic happens for which the producers can’t spend money on special effects for, they instead have the score swell sharply upwards, with a “whoop-de-whoop-whoop!” Sort of like a medieval “I Dream of Jeannie.” It’s both disorienting and baffling.

46:30
Lilliard leads the army out of the castle
Lilliard: “Prepare to move to the north, where we shall meet our new allies.”
Army Commander: (politely) “Why has Commander Tarish not briefed us for this mission?”
Lilliard kills the commander with a knife.
Lilliard: “Anyone else care to commit treason?”

Wait, what just happened? This is why it's a bad idea to be a minor character in these sorts of movies, the ratio between having a single line and dying a pointless death must be awfully close to 1:1.

47:20 Gimli and Sobrieski have a father-daughter heart-to-heart.
Gimli: “You have tilted the balance of magic in his favor. Thanks to you, the kingdom may be lost.”
Sobrieski: (without emotion) (obviously) “I’m sorry.”
And.... end scene!

See? It’s not an action movie, it’s really about the relationships that define us and make us who we are.

50:24
Statham, Blockhead, and Buff Dude sneak through the Dung Turtles camp using the Star Wars two-guys-in-costumes-transporting-a-prisoner trick. I can’t believe even the villains of a Uwe Boll movie would fall for this one.

50:45
Now that he’s in a big Dung Turtle costum, I’ve figured out who Blockhead is. It’s a seriously slumming Ron Perlman, best known as Hellboy or The Beast in the live-action Beauty In The Beast. I guess I had to see him in a giant costume before I could figure it out. The transporting-a-prisoner trick doesn’t work, possibly because the Dung Turtles have already seen Star Wars. God knows Boll has.

53:00
A Dung Turtle strings a barely-conscious Statham up, then attempts to stab him while he’s suffocating, enabling him to roundhouse kick the Turtle and escape. Why can no one ever be satisfied with just hanging someone? Why are roundhouse kicks always so effective in these sorts of movies? Why am I asking so many questions about subjects that none of the filmmakers have ever thought through?

54:00
Clare Forlani learns that Cute Kid has been killed, followed by 90 full seconds of some of the worst acting in the history of cinema. The other actors rather blatantly avoid eye contact to try to keep from laughing.

56:00
We discover that Liotta is keeping a monstrous underground system of caverns populated by prisoners and Dung Turtles in the back of his library, which you’d think the cleaning staff would have notice by now. He enters it now and laughs evilly. “It’s good to be home.” Really? You’re taking over the kingdom and you want to hang out around molten metal with the Dung Turtles?

1:00:00
Entering the No-Surprise shocker zone: Statham turns out to be Burt Reynolds’ son! He’s heir to the throne instead of Matthew Lilliard!

Burt Reynolds Death Clock: 17 minutes.

1:01:00
Reynolds has his big “I thought he was dead!” scene with Gimli, which he phones in until he gets to the line “what kind of joke do the gods play on me?” His line reading of which clearly states “how did my career get to the point that I’m in this movie?” He does everything except look directly into the camera and cry.

1:05:21
Statham decides to join the king’s army after much begging, despite Statham having no army training, or really anything to recommend him whatsoever.

1:06:32
Close up on weapon being thrown #3. I’m gonna win this one, I think.

1:07:14
Statham, bafflingly, seems suddenly to be in charge of most of the army. He and Brian Grant, the only actor who has yet to do something laughable, have dismounted their horses right before the battle. ‘Cause, of course, in a battle, a horse is not going to help you any.

1:08:45
The Dung Beetles have seemed to have developed the ability to tunnel under the earth and grab people by their legs, a trick they probably learned by watching Tremors.

1:09:11
In the midst of battle, Statham does a wild, unnecessary backflip, possibly to prove that he deserves to be in charge of the army, mostly just to get some stunt guys a little extra pay.

1:10:45
Reynold’s army seems to have several fighting divisions who just do flips and climb trees and wear funny masks and such. There’s a large calvary behind them, but no one is bothering to send them in, since the divisions that do flips apparently have things under control. Once again, for the record, I'm not a military expert but in a battle with swords and clubs, horses can sometimes help.

1:12:15
Several Dung Turtle light themselves on fire and launch themselves on catapults towards the other army. This strategy seems to kill maybe one soldier for every two Dung Turtles it kills. If the king’s army had more calvary and less flipping-soldiers, this fight would be just about done.

1:13:20
Grant and Statham figure out who the leader is and fight their way to him. This naturally involves several backflips, somersaults, and wild leaps. I’ve seen rhythmic gymastic sessions that were less obviously choreographed and considerably more masculine.

1:15:14
Close up on weapon being thrown #4

1:15:34
Close up on weapon being thrown #5

1:15:51
Close up on weapon being thrown #6. Victory! Burt Reynolds is killed by this one. If only we’d established a clear heir for his succession sometime recently…

1:17:40
Forlani, Blockhead, and Buff Dude are taken to the underground metal working lair. Blockhead looks out at the slaves and mutters “I won’t live like them.”

Ron Pearlman death clock: 4 minutes

1:18:56
A fun exchange in the forest between Sobrieski and Lilliard.
Lilliard: “You never did trust me, did you, Muriella?”
Sobrieski: “Your comportment has never earned trust.”
Lilliard: “Comportment? Decorum? These are words for a castle! We are no longer in a castle!”
Uh, no one said “decorum,” dude, you made that one up.

1:20:45
Lilliard is attacked by magical vines, and unfortunately does not die.

1:21:15
Ron Pearlman is attacked by Dung Turtles, and unfortunately, does. Fortunately, his death is a sacrifice that lets the others escape! Surely they’ll make it to the mouth of the cave safely and get away!

1:22:03
The group is re-captured by the Dung Turtles. Damn.

1:23:45
Statham and Reynolds have their deathbed “you will be king, it is your destiny” moment, which finishes with Reynolds saying:
“Wisdom is our hammer
Prudence will be our nail.”
Emerson, right? Or Wordsworth, maybe.

It finishes with:
Reynolds “When men build lives from honest toil”
Statham: “Courage never fails.”
Aww, they are father and son! They know the same slogan!

25:00
Reynolds and Statham talk about farming and enriching soil for a while.

26:00
This deathbed conversation will not end. Blah blah honor blah faith blah blah my son blah blah remember.

1:26:35
Reynolds finally dies. Everything goes into slow motion as the score moves into the Unimportant Character Death Suite.

1:28:30
Lilliard and Grant fight a duel to the death. Lilliard is back to his old drunk, effeminate self, so the odds seem to lie in Grant’s favor.

Odds of Lilliard throwing dirt in Grant’s eyes: 1 in 3.

1:29:06
Lilliard tells a story about how he always beat Grant when they fought as boys, in order to somehow convince us that he has a fighting chance here, which no one will ever believe.

1:29:30
Even better than the dirt trick: Lilliard throws his armor at Grant’s head. I take it back, I will be sad when Lilliard dies in this movie, which I don’t think will be for at least another 15 minutes, if at all. He might instead be humbled and dragged effeminately off to jail, with Statham muttering a last one-liner after him.

1:31:14
Lilliard’s most homoerotic moment so far: when it’s announced that the king has died, Lilliard thinks that he’s king. He flails his arms wildly for a moment, then limp-wristedly taps Grant’s sword three times and scolds him teasingly: “Put. It. Away.” I’m beginning to think that Lilliard just sort of decided after a couple days of shooting “y’know, I’m just gonna go ahead and make this guy gay.”

1:34:30
Liotta divines with his magic that Forlani is pregnant with Statham’s son. I’m mostly pregnant with disbelief that this is somehow a major plot point, since Forlani is playing Statham’s wife, and this piece of news is less “Oh! Their one night of passion has created a child” and more “Oh, they’re gonna have another kid, that’s nice for them.”

1:35:08
Buff Dude meets another slave, who is clearly a model with a thin layer of dirt smudged on her face. They bond, and Buff Dude promises to get her home soon, a gutsy move by a guy chained hand and foot. I no longer think Buff Dude is gonna die by the end of this movie, which is shocking because Buff Dude is the only non-slumming big name actor in the movie, and we’ve already killed off Reynolds, Perlman, and the Cute Kid. He must be important in some other way. To the internet!

1:36:49
A quick search reveals that Buff Dude is actually Will Sanderson, who’s had the unfortunate privilege of being in all of Uwe Boll’s movies so far. Poor bastard deserves to live to the end of the movie, he’s probably getting paid on a day rate anyway.

1:37:15
While on IMDB, I check out the rest of the cast. The girl Buff Dude has bonded with turns out to be the girl in the tub from Slither. Her hairstyle is less medieval maiden and more a version of The Rachel from 1997.

1:39:30
Liotta and Forlani are having one of those “You have me, so why don’t you free my friends?"/"I can’t, I’m much too evil” arguments. It’s like a clinic of bad acting. If I had my way, this scene would never end.

1:40:30
I am trying to think of a single good movie Forlani has been in and failing.

1:41:20
Liotta is using his magic to make it rain, for reasons that are unclear. A wet, awkward Dung Turtle siege ensues.

1:43:10
Gimli announces his intention to go and “reason” with Liotta. Gimli Death Clock: 4 minutes and under.

1:44:27
Mallrats
. That's right. 13 years ago, Forlani was one of the love interests in Mallrats.

1:45:30
Here’s a fun bit of Dungeon Siege canon we just learned: a mage’s power is contingent on his service to the king. So in order to battle the king, Liotta made himself king of the Dung Turtles. While he’s laughing evilly at his cleverness, I’m wondering why Gimli doesn’t just make himself king of the lemurs or something in order to up his power.

1:46:00
Liotta delivers his killer line: “you have no idea how powerful madness can be.” His eyebrows are going everywhere. Liotta and Gimli are sword-fighting with hovering magic-swords, just to paint a picture in your mind.

1:46:09
Close Up On Thrown Weaopon #7. Incredibly, I’ve UNDERestimated this.

1:46:20
Gimli is stabbed through the heart. He’s still gasping, so it seems he’ll get a chance to have a heart to heart with Statham or Sobrieski by the end.

1:46:45
Liotta leans close to the dying Gimli “In my kingdom, there will be no word for madness, we shall simply call it – power,” an idea that makes no sense even by the ridiculous standards of this movie.

1:47:18
The Dung Turtles are pointless firing themselves in catapults at the enemy again, though at least this time they have the sense not to set themselves on fire first.

1:48:25
Dying, Gimli gives the last of his magical power to Sobrieski. For 10 full seconds, it’s a special effects crapfest. Sobrieski’s actorly interpretation of “this is what my face would look like if I was absorbing the rest of my father’s magic powers” is a sight to behold.

1:48:42
The score goes swiftly from Unimportant Character Death to Let’s Get This Movie Moving in under a second. This composer is ready to be done.

1:49:00
Bored with being chained to the wall, Buff Dude suddenly pulls his chains out of the rockface with his bare hands and kills some Dung Beetles with them. I’m speechless.

1:49:55
Loken, who was chosen for the crack fighting team - did I mention that they put together a crack fighting team? Statham, Gimli, Loken, and Sobrieski - really, all the people you'd want at your back in a fight, huh? Anway, she never made it to the battle and we now see a shot of her walking back home, her story apparently finished. Of all the baffling choices Boll’s made, this is the first one that’s made no sense WHATSOEVER.

1:51:57
Liotta and Statham’s fight has started using - yes! - The Matrix's bullet-time effects, just like you knew it would.

1:53:13
Close-Up on a Thrown Weapon #8. This is getting insane.

1:53:47
Liotta has now attacked Statham with a tornado made out of books. I have now reached the point where I no longer find these bad special effects funny, and just want Liotta to say his last line about power or madness or whatever and die with one last wild eyebrow twitch.

1:54:13
One of the generals from the army, who we’ve seen maybe once before, is killed. Grant screams “No!” in a Luke Skywalker/Frodoish fashion and tries to fight his way over. Bored with these deaths, the composer doesn’t even bother to let the score swell. The strings continue their way through the repetitious We’re Almost Done movement.

1:54:25
Liotta lets all the books fall to the floor, mercifully ending a maestrom of bad special effects. Statham seems undamaged by the attack, which really only held him up ten feet off the floor for two minutes so he could catch his breath. Requisite shot of Forlani huddled in the corner, looking scared.

1:54:34
Liotta starts the tornado up again, this time trapping Stathams ankles and wrists with books, pinning him to… nothing. This is the exact same strategy as last time, though Statham tries to sell it by straining and grimacing. Frankly, Statham's tried to sell this whole movie through grimacing, and it may be time to admit that his permanent grimace has very little to do with his acting method and more a physical pain derived from being in this movie.

1:54:50
Liotta screams at Statham “What vengence are you enjoying, Farmer? The vengence of a father? The vengence of a husband? Or the vengence of a king?” Sobrieski comes in and throws some sort of vague magic at the tornado. Liotta throws some sort of vague magic at Sobrieski. Nothing seems to do anything. These really are the worst magicians in history.

1:54:55
Forlani screams “You forgot the vengence of a mother!” and stabs Liotta with a sword. Best. Line. Ever.

1:55:15
Statham falls out of the tornado and slashes at Liotta. He completely misses – and I mean, completely misses - but Liotta scrunches his face up into the Death Look. Even his vague Field Of Dreams credibility is gone now.

1:55:25
Liotta pretends his throat’s been cut and falls out of frame. Sadly, it doesn’t look like he’s gonna get to give us one last line reading.

1:56:00
Robbed of their powers, all the Dung Turtles stop fighting. We cut back to Statham and Forlani embracing over the slain body of Ray Liotta, which is as romantic a place as I can imagine, too. We pan to the window, where the sun comes out. Fade to black.

1:56:45
Uwe Boll's name comes up again.

Well, there we have it. A two-hour journey into the mind of the man who doesn't give us the social-critic, George Clooney bullshit, but instead gives us works of what he considers to be true genius. Let's go over what we've learned:

1. Love conquers all, sometimes.
2. Some people can deliver good performances despite the director, some people need good direction, but no one survives a Uwe Boll movie unscathed.
3. Prudence is our nail.
4. When Uwe Boll rules the world, there will be no word for "madness," only "power." This does not seem unreasonable considering the first part of that sentence.
5. If Boll asks you to deliver one line in a movie for him, pass. You'll spend one take saying the line and 14 takes filming getting stabbed by another character at the end of your line.
6. There are limits to what you can do with men in leather suits, and there are limits to what you can do with CGI, but there are no limits if you don't care how either of those things look in the final cut.
7. Don't get close enough to someone where they can roundhouse kick you. That's a rookie mistake. Just keep your distance, no matter what. This includes people who are probably dead.
8. All in all, I would rather have watched the Robin Hood porno.

The Sarah Connor Cronicles

I caught the first half of the pilot for "Terminator: The Sarah Connor Chronicles" last night, and I have to admit I was impressed. "Terminator" seems built for the small screen - if the plot gets bogged down, just bring in another Terminator from the future - but I was more impressed how well the show was put together. Lena Headley's gotten a lot of press as the lead in the show, and she's just as good as everyone expected she would be. But my heart remains with the lovely Summer Glau, already adored by "Firefly" fans as the tortured government project capable of killing people with roundhouse kicks. Like Chuck Norris with amnesia after ten years of ballet. She's just as good here as John Connor's protective Terminator, adding indestructibility and, y'know, being a robot, to her arsenal of graceful kung-fu, but she hangs onto that cautious sincerity that sold millions of sci-fi fans on her years ago.

It's still up in the air if the show'll deliver on its promise as the weeks continue - people running away can get old quick, and so I'm still up in the air whether it'll be the 1963 version of "The Fugitive," or the 2000 version - but David Nutter directed a whiz-bang pilot. The creators keep throwing in a potpourri of different film stocks, up to and including Super-8 footage, and always keep the pace moving at an amphetamine-rush pace. It's not groundbreaking (but then, this is television), but it feels fresh and stays exciting and most importantly, fun. And it gives us the real possibility of a robot-human love story in the weeks ahead, which is worth turning your TV on for (at least, it is for me). The pilot's available at Fox if you want to check it out.

In other news, In The Name of the King has dropped to 3% on Rotten Tomatoes, making it one of the Top 15 Worst Movies Of All Time. The sole good review for the film notes "Boll manages to hold this disaster in the making together by infusing it with unexpected energy." It is a bad sign when the single best review for your film calls it a disaster. A very bad sign.

More Excitement!

The Globe and Mail - one of less than two dozen publications to review In The Name of the King so far - comments "Is this movie so god-awful bad that it's hilariously good? (We) can't be bothered deciding. Figure that's an answer in itself." The Globe and Mail - and by extension, all of
Canada - is nominated for today's award for general awesomeness. OC Weekly also has a slightly less fun review up, though it does put forth the likely correct theory that "Boll’s rather foolproof technique is to do all his casting at the very last minute, catching name actors between projects before they have a chance to think about things too much." That's almost certainly the case, and therefore OC Weekly snags a nomination as well.

But nothing tops today's winner, Sun Media's Jim Slotek, who notes "this is a different kind of bad than, say, the glossy, homogenous, boring Hollywood bad we get from a Michael Bay. This is an impassioned, feverish bad, the kind that is as pure of heart as it is innocent of style. Ed Wood bad." Bravo, Jim, you ridiculed the movie and got a shot in at Michael Bay! That's the sort of attitude I like to see from critics. Jim Slotek takes home the Awesomeness Award.

Something to fill my heart with joy this holiday season

You know - of course you know - that nothing gives me greater pleasure than a big movie gone truly terribly wrong. The idea of a company investing $180 million dollars into a movie and nobody ever saying "Hey! This script is written by the same guy who wrote 'Mannequin IV!'" is one of the brilliant ironies for which America should become better known. I mean, certainly it can be disappointing to discover that the epic series you've been following ends in a sniveling whimper of misguided plot decisions and dizzyingly off-putting effects, but when you enter a theater knowing that what you're in for is an example of ham-fisted storytelling and breathtaking jumps in logic, what more could you ask for on a rainy Saturday afternoon? Buy popcorn and bring a friend along who also can't help but smile whenever Chris O'Donnell tries an accent. You won't regret it.

Certainly from the preceding paragraph you would be expecting this post to be about National Treasure: Book of Secrets, and yes, that post is coming, though I haven't yet seen what's sure to be a glorious piece of cinematic goobledygook. But, incredibly, there is a movie approaching which looks almost certain to eclipse Nat'l Trez: BS as the finest example of how everything gone wrong in Hollywood sometimes makes everything feel oh so right. That movie is In The Name of The King: A Dungeon Siege Film. It comes out in January 18th, it'll be in every theater near you, and it's going to be terrible. I mean, so godawful that you won't be able to believe it, you won't even be able to breathe. If you doubt that it could in fact be as bad as I say, follow along with me for a moment as I break this movie down and show you just how mystifyingly stupid this film is destined, even guaranteed, to be.

First things first: let's take a look at the director.

The Director
It's directed by Uwe Boll. If that doesn't make you gasp with a combination of horror and wonderment, keep reading. Uwe Boll is, to put it nicely, the worst director in the history of cinema. To be fair, though, the earth has yet to implode into a little ball, so it is still possible he could be unseated. But it is not likely.

What's incredible about Uwe Boll movies is not just that they are bad, but that he consistently can find investors to keep making them. Video gaming is the biggest new market in the world, a much bigger business than Hollywood, and Boll only does adaptations of video games, so it seems impossible that he would be unable to tap into even a very small section of that market. And yet, against ludicrous odds for success, he fails anyway. His most recent film, BloodRayne, cost $30 million and made $2.5 million, not a great return. Boll has one sequel for BloodRayne already in the works, and is beginning funding projects for a third film. All his investors are reportedly German, and also apparently not too bright.

And his movies are not too-hip-for-the-room artsy flicks. All three of his video game adaptations are on IMDB's Bottom 100 Films list, and Rob Vaux once stated that his first adaptation, Alone In The Dark, should make all other bad movie directors feel better in comparison: "'It's okay,' they'll tell themselves, 'I didn't make Alone in the Dark.'"

This is the man who once rejected a proposed script adaptation for reasons that included "not enough car chases." This is the man who blames the poor commercial performance of his video game adaptations not on his own inability to direct, but on his distribution company, Romar, and has filed a lawsuit against them as a result. This is the man who, whenever he publicly expresses interest in making a movie out of a certain video game, the producers of that game have a press conference to announce "We would never let Uwe Boll do that. Ever." This is the man who sent an email to Wired after a nasty review of Postal, explaining that the reviewer didn't "understand anything about movies and that you are a untalented wanna bee filmmaker with no balls and no understanding what POSTAL is. you dont see courage because you are nothing. and no go to your mum and fuck her ...because she cooks for you now since 30 years ..so she deserves it." He explained later that he wasn't mad about the review, but just angry at the reviewer personally.

This is the man who gave all the critics who panned his movie the opportunity to fly out to his house, and - I'm serious here - box him. "Put up or shut up," said Boll. Incredibly, all five critics he specifically invited to fight him actually decided that they would. When film critics actually physically want to hurt you, and are willing to spend their own money in order to get at you, then yes, you are the worst director of all time. All five critics arrived expecting some sort of publicity stunt where they would take a few swings and get their pictures taken. Instead, Boll took each of them into the ring, one by one, and beat the snot out of all of them.

This is the man who directed this movie. How excited am I?

The Cast
Uwe Boll movies are usually not particularly well cast, but this one is a stunner. Jason Statham stars as a lowly peasant pressed into great things by fate. Statham is, naturally, completely unfit for this role, but he's always said he's the sort of actor who's game for anything with a lot of action and sex in it, and this movie certainly seems to fit that category. I like Statham, so I won't fault him for this choice. Even though it's bound to set him back in Hollywood a bit, I don't think he cares. I only have pity for a man whose longtime girlfriend once broke up with him for Billy Zane. I'll let him have his nonsense role in this and I won't pick on him, even though he's playing a character named "Farmer Daimon," for chrissakes.

More amazing - breathtaking, really - is the presence of Ray Liotta as an evil magician. You might know Ray Liotta as the main character in Goodfellas, an excellent film that opened 17 years ago, or as Shoeless Joe in Field of Dreams, which opened 18 years ago. You might also remember him in aggravating supporting roles in aggravating films like Heartbreakers, Operation Dumbo Drop, or Narc, with which he has bombarded us ever since. If that doesn't help, you might remember him from playing a mobster in every mobster film that's been released in the past 17 years, up to and including video games and documentaries (I could not have made that up. That is fact). You might even, unfortunately, remember him playing Frank Sinatra in that TV "Rat Pack" movie. Regardless of whether you remember him in any of those roles, but what is certain is that at no point in the last twenty years have you said to yourself "y'know, if you put a polo shirt and a leather bathrobe on that guy, he could be a killer evil magician named Gallian." You know how amazed I am at this? I'm even amazed that Uwe Boll thought of this. That's how amazed I am.

But not nearly as amazed as the idea of Burt Reynolds as the devilish King Konreid. I mean, I'm amazed at the idea of naming a character "King Konreid," but casting Burt Reynolds is beyond my ken. I think I have reasoned out Uwe Boll's thought process, though:

Master Director Uwe Boll: "Hey - who was the king in that Robin Hood movie?"
Whoever The Hell Uwe Boll Bounces Ideas Off Of: "Sean Connery."
MDUB: "Think we could get him to do this?"
WTHUBBIOO: "No. Lord, no."
MDUB: "Well, let's get someone who looks like him, then. Who looks like Sean Connery?"
WTHUBBIOO: "Uh... nobody, really."
MDUB: "Burt Reynolds kind of looks like him, right?"
WTHUBBIOO: "Not really, no. Not at all, actually. They both have whitish beards, though."
MDUB: "Good enough. C'mon, I bet we can this thing cast before this strip club closes."

I might have some of the phrasing off a little - it's possible Boll mentioned the name of the actual strip club they were attending - but that's certainly close.

Now, at this point, you must be saying to yourself, "isn't there some flailing young actress whose career has gone in the toilet who'll be willing to play the female lead just to get some sort of publicity, however putrid?" Well, then, you must be reading my mind, because this film also stars Leelee Sobieski.

"Leelee Sobieski?" you say. "Say, she was in... that movie a long time ago!" Right on! Sobieski once had a blossoming film career, from her Lolita-ish moment in the sun with Tom Cruise in Stanley Kubrick's Eyes Wide Shut (note to parents: it would have been wise to stop letting your kids act in Stanley Kubrick movies), all the way to her Emmy nod for being Joan of Arc, Sobieski's career arrived in 1998 and disappeared in 2001. A string of brave failures (Les Liaisons dangereuses is always a gutsy call) combined with mindless flops (Joy Ride, The Glass House, and most painfully, with Nicholas Cage in The Wicker Man), Sobieski's career has descended to the point that she is now most famous for her disastrous performance on the Tonight Show of a poem she wrote about 9/11, entitled "This Day and all the Rest." Howard Stern likes to play the audio of this performance on his show whenever he's feeling down and needs a laugh. I honestly can't imagine an actress who needs a movie, any movie, more than Sobieski, with the obvious exception of Sean Young, or maybe Claire Forlani, who... wait... is actually in this movie as well.

You may be suspecting by now that while most actors would like to wash the taste out of their mouths after doing a Uwe Boll movie, surely somebody would be willing to stick it out and appear in more than one. Of course that person would also have to be crazy. Presenting Kristanna Loken.

Loken is best known for getting naked to play the most recent Terminator, the "Terminatrix" (clever!) in T3: Rise of the Machines, but you might remember her as one of the main characters in, yes, BloodRayne. She's also starred in such luminosities as Rise of the Nibelungs (who names these movies?) and the TV show based on the Mortal Combat game. A full 70% of her Wikipedia article concerns debate whether or not she is bisexual, which I think gives us a fairly accurate barometer of her acting chops. Naturally, she has also guested on The L Word (it may, in fact, be illegal in California to be a possibly lesbian actress in Hollywood and not appear on the show. We have seen no evidence to the contrary).

You might have realized by now that In The Name of the King is supposed to conjure up a certain other epic movie series concerning swords, kings, evil sorcerers, everyday people being called to quests, and big orc-like monsters fighting in the rain, but in case the trailer didn't give that away, there's an actual actor from The Lord of the Rings in this movie. Presenting John Rys-Davies, better known as Gimli! He seems to be playing a wise, sage-like advisor who guides Statham, Sobieski, and Loken on their quest, though it's possible he's simply been digitally cut out of the Rings movies and inserted here.

Finally, and most wonderfully, Matthew Lilliard is in this movie. Yes, Matthew Lilliard. The killer boyfriend in Scream. The street-smart hacker from Hackers. The man who made both Seth Green and Dax Shepard look like a serious thespians in Without A Paddle. And, of course, the man who made us gasp in disbelief at his picture-perfect interpretation of Shaggy in Scooby-Doo and Scooby-Doo 2: Monsters Unleashed. He's here too, playing a character named "Duke Fallow." My cup runneth over.

The Trailer
This trailer is sure to be the best minute and twenty-nine seconds of your day. Let me break this down for you, second-by-second:

:01 We get our first glance at Uwe Boll's logo, letting us know just what we're in for. The trailer company has chosen to let it only appear for .3 seconds, so that most viewers are hopefully still blinking and saying "wait, is this another trailer?"

:08 Shots of a bell tower ringing, orc-like things rustling in the bush, and Jason Statham looking bravely worried, and also looking like he spent about 14 seconds of preparation to look like a peasant. A voiceover of another character explains the situation - pillagers approaching - to somebody named "Crug." Crug is not in the cast list, so we can safely assume he'll die in this early battle.

:09 The first of many exact replicas of Lord of the Ring orc costumes appears on screen. The entire pillaging sequence continues for another five seconds, all of which is shot exactly as it appears in The Two Towers, including an exact match for the whirling overhead helicopter shot. That movie was a full five years ago, though, so I'm sure Boll can safely assume everyone's forgotten about it at this point.

:13 Our first shot of what I'm 85% certain is a rebuilt model of Minas Morgul, shot with slightly different lighting so no one will notice the similarities. The craning establishing shot is also the exact same as in Lord of the Rings. We also get our first bit of voiceover from Rhys-Davies, explaining, "I believe it was Gallian. He has fallen into madness," a line that seems obviously unoriginal and yet eerily prescient for this film. We also get our first shot of Ray Liotta, who has chosen to stick with the mobster hair for the film, looking like he has just suffered a concussion. Also, a shot of the flaming orc mines, which I am at least 90% sure was simply lifted from the Isengard sequence of The Two Towers directly. I'm not sure, at this point, what I find more alarming - that Boll is stealing so dramatically from the Rings movies or that he only seems to own the second one.

:17 Our first shot of the graphics, which is typed in the Papyrus font, all uppercase. "FATE... WILL CALL HIM." Someone was paid $10,000 dollars to do graphics that I could have done in 34 seconds.

:20 Jason Statham speaks for the first time. Brave choice, keeping that Cockney accent. But, I suppose that's what the character of Farmer Daimon would sound like, what with living out here in the wilderness.

:24 "ENEMIES... WILL SURROUND HIM." I'm trying to place which Rings movie the soundtrack is from at this point. I think that... yes, it's The Two Towers.

:26 Ray Liotta summons a great storm before him and sends it out against Statham. Hey, a Fellowship reference! Excellent!

:29 Rhys-Davies announces "the King has been poisoned." Ah, well, I guess we won't get that much Burt Reynolds in this one. That's disappointing.

:30 A shot of Liotta with a bunch of books flying wildly around him. I have tried to think up a logical explanation for this and failed.

:31 Rhys-Davies notes that "Gallian is raising armies. Vast armies." Four quick shots fly by, including one of orcs running in the rain that I'm seriously at least 98% sure is in fact lifted from The Two Towers. I am not kidding about this.

:35 "ALLIES... WILL JOIN HIM." Phew.

:37 Our first shot of Sobieski. She's wearing... yes... her Joan of Arc armor. Elvish people decend on large ropes that are supposed to look like vines but look quite patently like ropes. I am not hopeful for Statham at this point.

:38 Shots of Statham fighting hundreds of Uruk-hai all by himself. Those allies made it through less than a second of screen time. Statham is likely in real trouble at this point.

:39 Kristanna Loken, wearing Peter Pan hair, announces "Those who you fight - we will help you fight them," which is good, because it does appear that Sobieski and the elf-people are not going to be particularly useful. This is also helpful because Loken will be helping Statham fight those who he is fighting, as opposed to those who he is not fighting, which might have been the problem with that last group.

:42 "AND AN EPIC BATTLE... WILL BEGIN." Hopefully, against those with whom he is fighting.

:44 Rhys-Davies explains "A small force might slip through." Now that is an original idea. Shots of Statham and his A-Team walking along New Zealand-y mountaintops, then gathered gazing at a burning Minas Morgul. The music, thankfully, has switched over to "royalty-free standard trailer music."

:48 We get our first shot of Rhys-Davies actually talking, by which we can safely assume that at some point during the movie, he has an incredibly long scene of exposition to move us to the next part of the movie. Inexplicably, he has chosen to have Farrah Fawcett hair for this role.

:49 A low-angle shot of the Uruk-hai attacking Helm's Deep. 95% certain this is stolen.

:50 Quick shot of Ray Liotta levitating a sword in front of him, then fighting Statham in hand-to-hand combat with sword in hand. Liotta seems to be able to do a lot of showy magic but has yet to cause any actual damage with it. Perhaps he's merely an illusionist, or perhaps Boll hasn't figured out how to adapt special effects into an actual storyline. His expressions in these shots leads me to believe he's getting stoned before each shooting day, whatever the case.

:52 I discover that Brian White is in this movie as well. He used to play in the NFL, which is more than enough acting training for a Uwe Boll movie. He's also black, so, hey! Diversity! Boll strikes me as one of those directors who adds a black character just under the mistaken impression this will bring in gigantic black audiences, like Gary Dourdan on "CSI," except that the strategy doesn't work on "CSI." Also, Gary Dourdan is a really good actor, so that's another difference.

:55 Ray Liotta casts a spell at the camera. His face turns purple, and it looks like he's about to vomit. Is it possible that the climax of this movie will involve Liotta throwing a million ineffectual spells at Statham, then passes out? One can only hope.

:56 More books swirling, this time around Statham, as they seem to have caught him in a spinning tower of knowledge. It's like a spell from the Ben Franklin Little Book of Charms. How is this your go-to spell when fighting an arch-enemy? Harry Potter learned cooler spells in Herbology class.

:58 Statham notes that "The king called upon you to face death." I'd like to point out that the king is, in fact, dead at this point, so it's all really kind of moot, right?

:59 The Emperor sends Luke to the floor, screaming in pain at the blue lightning coming from his hands. It's official, Uwe Boll has seen more than two movies.

1:00 Our first shot of Matthew Lilliard, with an unimpressive beard, giving Brian White the bug-eyes. It appears Lilliard will be some sort of villain in this movie. All hail the evil Duke Fallow!

1:01 "IN THE NAME OF HONOR." No one involved in this movie has anything of the kind. C'mon guys, open up. You can admit it to yourselves. The sooner you come to terms with it, the less likely you are to break down in tears when Conan asks you what the hell you're doing in this movie.

1:02 Statham yells inspiringly "Tonight, we dress our wounds!" Who let these people get injured and not dress their wounds? What kind of terrible leader is this Farmer Daimon?

1:05 Random fighting shots. "...bury our dead!" continues Statham. William Wallace has nothing on this guy. Didn't Uwe Boll see Braveheart? How is it possible Uwe Boll did not see Braveheart?

1:06 "IN THE NAME OF FREEDOM." Ah, there's the shout-out.

1:08 "Tomorrow, we gouge evil from its shell!" Wait, so we aren't doing anything today? We're gonna wait 'til tonight, dress our wounds, bury our dead, then up bright and early to gouge evil from it's shell? Should we work on a good fight song or find Sobieski some armor that isn't from the 1400's or something?

1:09 Rhys-Davies appears to also be some sort of magician. He casts an invisible spell that does nothing. Its like all their sorcerers have an attack of -7.

1:10 Introducing Claire Forlani, peasant girl, with plunging neckline. In the meantime, it appears Sobieski has gotten new armor! It's gold, and has a gigantic silver cape. In the race to see who will lose more credibility in this movie, Forlani seems, sadly, to have pulled slightly ahead, even though that cape looks ridiculous.

1:11 Liotta seems to have crucified Statham on a wall of swirling books. Wait, is Statham perhaps a Christ figure in this movie? And are books a metaphor for... evil? What goes on in Uwe Boll's head?

1:15 "IN THE NAME OF THE KING - A DUNGEON SIEGE TALE." Some parts of the title are bigger than others, and the text glistens slightly, but it's still written in Papyrus. So, 3 minutes in Final Cut. That's another $25,000 down the drain.

1:26 "JANUARY 18TH 2008 - WWW.INTHENAMEOFTHEKING.COM." Sign me the hell up.

Here's a link to the trailer. Take a look, and be filled with wonderment. I'll see you in line.

In all serious, though, who's going? I am not showing up to this thing alone.